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Stroma is, in my experience, New Zealand’s most exciting and inspiring chamber music ensemble, performing a consistently fresh repertoire with a focus on cutting-edge compositions written in the last 100 years.

This week, however, Stroma’s string quartet teams up with early music specialists to play a sonic feast bridging three millennia of music, all in the beautiful surroundings of Sacred Heart Basilica. ‘Works by New Zealand composers are interleaved with arrangements of Medieval and Renaissance music from composers who truly ‘pushed the boundaries’ of music, often foreshadowing twentieth-century developments. One work is even based on the earliest known notated melody dating from 1400BC, written on a stone tablet.’

For examples of Stroma’s previous work, have a listen at www.stroma.co.nz/media/audio.html

Stroma
Kamala Bain (recorders), Rowena Simpson (soprano), Vesa-Matti Leppänen, Rebecca Struthers (vn), Andrew Thomson (va), Rowan Prior (vc)

Works by:
Jack BODY, Heinrich BIBER, Simon EASTWOOD, Johannes CICONIA, Michael NORRIS, Pierre DE LA RUE, Mary BINNEY, Christopher TYE, Karlo MARGETIC, Cipriano DE RORE, Rachael MORGAN, Maki ISHII, Ben VAUTIER, Anon and a world premiere by Chris WATSON

Two Wellington performances (60 minutes each):
Thu 26 June, 6 & 8pm, Sacred Heart Basilica, Thorndon

Tickets $10/$20 from Dash Tickets

Listen here > www.stroma.co.nz

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Before I post the pics from the South Island leg of the All Seeing Hand/ Seth Frightening tour, I’ve gotta catch up on a few posts! These red photos are from a show at Pyramid Club in Wellington on May 25th:

Seth Frightening
Seth Frightening @ Pyramid Club

Here’s a new track from the forthcoming Seth Frightening album which is very close to completion:

Charlotte Forrester
Charlotte Forrester > watch a live video from this show here < Dean Roberts
Dean Roberts

Dick Whyte
Dick Whyte


FANZ are a Wellington noise group featuring Antony Milton, Samin Son, Noel Meek and Fergus Nelson Moores (Mischancerie). They recently released a CDR on the local noise/psychedelic/underground label, Pseudo Arcana (check out a promo vid here), and played a release show at Newtown’s excellent ‘Death Ray Records’ on May 31st:

fanz
Death Ray Records

fanz
Fanz

fanz
Roc///Opt/ > listen @ Bandcamp

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“The All Seeing Hand are collaborators in conversion. Sound shapes minds, and the amalgam of turntables, throat singing and drums holds potent persuasive powers. The turntables provide a dense weaved fabric of sounds and create a subliminal future from the carcasses of redundant songs. The throat inhales your spent breath and mumbled words then exhales harmonic rich vocals; while you struggle to hear the language your synapses are firing new paths. The drums resonate with your heart, then beat it irregular; while your chest collapses with pounding toms, your brain pulsates with frantic snares.

The music of Seth Frightening is complex and varied but also focused and direct to the point of rawness. His music tells stories with shifting, clouded characters and evasive narrative, speaking as much to our own lives as to the one he himself leads. This ability to connect, to draw listeners out of their ease and guardedness, speaks as much about the depth and richness of his character as it does about his soaring and richly textured voice.”
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the-all-seeing-hand.bandcamp.com
sethfrightening.bandcamp.com

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Miscellaneous / Releases+2

I.RYOKO TIDBITS

A video for i.ryoko’s ‘Future Window II’ by Tristan Brooks, featuring footage and field recordings taken in Guiyang and Shanghai, China in 2013.

+ A ten-minute programme on the making of the recently released album ‘Opening‘ for Emma Smith’s Music 101 show on Radio New Zealand:

And some more photos from the i.ryoko Audio Foundation residency. These ones are from February 28th, taken at the Acoustics Centre at the University of Auckland. Many thanks to the acoustics technician, Gian Schmid, for facilitating my visit.

Sounds geeks marvel at this impressive two-level reverb chamber with rotating diffusers!

The anechoic chamber is designed to have no sound reflections at all. The room itself is isolated on rubber from the rest of the building on all six sides to stop sounds travelling through the walls from outside, and the large foam spikes are designed for maximum internal sound absorption, making this the closest to silence one can get, right in the centre of Auckland city! I had the luxury of being left in here alone and didn’t want to leave, such was the profound and calming effect of silence that is sadly absent from our noisy world!

You can hear a recording of this silence at the end of the album > iryoko.bandcamp.com/album/opening

www.acoustics.auckland.ac.nz
www.audiofoundation.org.nz

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Videos

SNOWDEN THE PATRIOT

The whistle-blower, Edward Snowden, has recently appeared on American television to speak more about his motives for exposing the incredibly invasive capabilities of intelligence agencies such as the NSA. Well worth a watch:

Snowden NBC Interview

((NOTE: This video has been removed from YouTube. You can watch it on the NBC site > www.nbcnews.com/feature/edward-snowden-interview))

“I saw what was going on in the world. I believed the government’s arguments that we were going to do good things in Iraq, that we were going to free the oppressed. And I wanted to do my part to help share the national burden and create not just a better America, but a better world. The problem was, as time went on, […] as I saw more and more classified information at the highest levels, I realised that so many of the things that we’re told by the government simply aren’t true.

Much like the arguments about aluminium tubes and weapons of mass destruction in Iraq, Colin Powell’s speech about the vile of anthrax that Saddam was going to bring against us. The Iraq war that I signed up for was launched on false premises. The American people were mislead. Whether that was due to bad faith or simply mistakes of intelligence, I can’t say for sure. But I can say it shows the problem of putting too much faith in intelligence systems without debating them in public.”

[…] “Are you engaged in any kind of activites that we don’t approve of, even if they aren’t technically illegal. All of these things can raise your level of scrutiny, even if it seems entirely innocent to you, even if you have nothing to hide, even if you’re doing nothing wrong these activities can be misconstrued, misinterpreted and used to harm you as an individual even without the government having any intent to do you wrong. The problem is that the capabilities themselves are unregulated, uncontrolled and dangerous.”

[…] “I don’t think anybody who has been in the intelligence community for almost a decade, as I have been, is really shocked by the specific types of general operations when they’re justified. What’s more shocking for anybody is not the dirtiness of the business, it’s the dirtiness of the targeting. It’s the dirtiness of the way these things are being used. It’s the lack of respect for the public, and the lack of respect for the intrusiveness of surveillance.”

[…] “Senior officials are investing themselves with powers that they’re not entitled to, and they’re doing it without asking the public for any kind of consent.”

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This album was created predominantly in early 2014 when I was the Artist in Residence at the Audio Foundation in Myers Park, Auckland. Further arrangement and recording done at SCHQ, Newtown, Wellington. Available now to listen/ download and pay what you like. Limited edition cassettes will be available at live performances.

Review thanks to Alex Mitcalfe Wilson (cargocollective.com/retaildisplay) :
“I.Ryoko is Thomas Lambert’s longest-running musical project, a musical identity that has evolved through his deep involvement with independent music and sonic art over many years. Imbued with thought and care, I.Ryoko’s latest album, Opening, is a polished suite of nine recordings that showcase Lambert’s signature juxtaposition of synthetic and recorded sound with his own nuanced voice. The overall mood is both energetic and insistent, its assemblage of sounds challenging the listener and demanding their full attention.

Each of the album’s parts is arranged with a keen attention to rhythm, narrative and flow that is rare in abstract music; their striking sonic contrasts arranged with a singular dedication to the construction of an emergent, collective whole. The tracks oscillate between swollen, overlapping tonal peaks and rigorous, stripped-back arrangements that resonate in empty time.

Throughout Opening, Lambert’s control of soundscape is elegant and light-handed. Mixing each of its tracks for the maximum of sonic richness and emotional impact, he created an album that follows in the strongest traditions of exploratory electronic music while taking stock of the latest possibilities of digital sound. Opening is, at all of its diverse moments, an immersive listening experience that demands attention, constantly reminding the listener of its composer’s expertise and his drive to tell the stories of our world.”

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MEL

The Musical Electronics Library (MEL) is a lending library of homemade electronic musical devices to be housed at the Audio Foundation in Auckland’s Myers Park. It is currently in development, and will be open to the public in the spring of 2014.

The idea is to encourage DIY electronics activities and they will even provide free tutoring, parts, tools and workshop space! If anyone would like to help out by building something for the library, they are encouraged to get in touch. No prior experience with electronics is necessary.

musicalelectronicslibrary.wordpress.com

MEL
Light-controlled oscillators

The curator behind the project, Pat Kraus, will playing in Wellington this weekend:

kraus

kraus.co.nz

***AND DON’T MISS OUT on a rare treat in the form of DEAN ROBERTS, SETH FRIGHTENING, CHARLOTTE FORRESTER (of Athuzela Brown) & DICK WHYTE playing @ Pyramid Club in Wellington on Sunday!***

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